Sat Mar 23, 2024 11:33 pm by globalturbo
Anton Yelchin’s ‘Accidental’ Death, NOT an Accident?
by TS Caladan
Insiders and those outsiders who understand the inner workings of huge Industries do not accept TMZ’s and first reports on the sad death of one more celebrity who joined the ‘27 Club.’ Actor Anton Yelchin can be added to the long list of mysterious deaths that include Brian Jones, Jim Morrison, Hendrix, Joplin, Cobain, Winehouse and other notables at 27. Maybe we should question what magazines, television news and various Media outlets continuously beat into our psyche?
[911 might not have been a “terrorist” attack. Hurricane Katrina might not have been a “natural” disaster. Certain bombings and murders, shown on the news, may not have been the “hate crimes” or “accidents” or “suicides” or “Isis attacks” that we are told over and over again. Also untimely deaths of well-known celebrities such as Seymour Hoffman, Robin Williams, Paul Walker, etc. should be questioned rather than blindly believing what the Media (Authorities) Networks report to the public].
Maybe they’re LYING? Possibly, those who control things…have very good reasons to LIE. The following information were official reports:
“Yelchin did not suffer much before his tragic death this past weekend...according to the death certificate obtained by TMZ. The document restates Anton's death was caused by blunt traumatic asphyxia. It goes on to say his death was "rapid" after impact...a source connected with the investigation told us the actor died within a minute of impact, when his jeep pinned him against a security gate. The death certificate also states there were no other significant conditions contributing to his death.”
Anton Yelchin Died Within a Minute of Freak Accident, Coroner Says
June 21, 2016 @ 4:19 PM By Evan Real
“…the Star Trek Beyond actor died at age 27 when he was fatally pinned by his car after it rolled down the steep driveway of his L.A. home. He was found pressed in-between his brick mailbox and security fence early Sunday morning.”
“Yelchin was on his way to meet friends for a rehearsal, but his pals grew worried after he didn’t show up. They drove to his house, where they discovered his body. His vehicle, a 2015 Jeep Grand Cherokee was part of a massive recall. According to CBS News, 1.1 million of 2014 and 2015 Jeep Grand Cherokees were recalled because the new electronic gearshift, or e-shift, made it difficult to put the car into park, drive or reverse.”
“Police have ruled out foul play.”
View YouTubes on the subject of ‘Illuminati Killed Anton Yelchin’ as there are sure to be many more in time. The Trekkers have done their best to honor the ‘fallen’ actor with an array of tributes. The new Chekov is dead. Outside of his role of Pavel Chekov and his first big role as a child in “Hearts in Atlantis” and “Charlie Bartlett,” Yelchin was known for extremely violent and even disturbing films such as “Alpha Dog” and “Green Room.”
WHY IS 27 AN IMPORTANT NUMBER TO OCCULTISTS?
In mathematics, 27 represents the perfect cube. The Cube is sacred to Saturnists or the secret Satanists. There are 27 letters in the Kabballah, 27 channels to God and 27 names for God. There are 27 chapters in the Bible’s New Testament. Rituals run the world. Outsiders are unaware and do not view behind dark curtains on the highest levels of Church and State.
It is a fact that recording artist Prince and the wrestler/actress Chyna happened to die on the Spring Solstice, 2016. On the day Prince died, the Queen of England was in Washington D.C. and announced that Prince William will become King next and not Prince Charles. At the beginning of Europe’s Summer Solstice, we have one more celebrity possibly terminated as part of a secret ‘sacrifice to Baal’ or whatever the RITUAL…but is really a murder of a young man?
Russian-born, Jewish actor could also have been of special interest to Hollywood moguls because of a first name similarity to founder of the Church of Satan and writer of its Bible, Anton LeVey. [Korob-character in Star Trek episode, “Catspaw,” symbolized LeVey].
Were there clues of Anton’s Yelchin’s (premeditated, planned, signed-off?) death purposely placed throughout his films? If not, then these clues or hints are nothing more than pure coincidences. See how many coincidences there are, then decide. For outsiders, realize what Insiders know: Movies are trash and propaganda to sway you; there is no Art. Then…to a few particular FILMS, there are whole other levels that only Insiders know and can fully appreciate. They use cryptic words and images that are CODE for the secret Club (basically Devil-worshippers, as behind other institutions/organizations/groups that are Occult or hidden). There are TWO TRUTHS: One, for the simple-minded who only view what’s around them on the surface level. The other truth is a far deeper one that goes beyond the physical ‘story’ the general public sees, but delves into things behind the Curtain of Hollywood Magic, Tales from the Dark Side, things not talked about by the few, powerful elites in-the-know and their minion slaves.
Before we analyze some of Anton’s filmography for clues such as, “Was the young actor marked for death?” and “Did his masters, producers/directors and filmmakers, put SIGNS of their future intentions within his films?” BTW: That’s what they do; act as secret fascists then laugh at our stupidity for not understanding the clues/symbols/actions and that this is how the world actually operates below the surface…on lies and total deceptions to the masses.
It would help if we STOPPED BELIEVING WHAT WE ARE TOLD or what the Media adamantly insists upon. Possibly, ‘Thou Insists Too Much.” Maybe they’re lying?
Let’s examine “Hearts in Atlantis,” Anton’s first starring role in 2001, released 17 days after 911. He had small parts in earlier films such as “Along Came a Spider” with Morgan Freeman, which oddly had H.I.A. new prospect, Mika Boorem (later to star in Disney’s “Tomorrowland.”
The quote on the promotional poster for H.I.A. was never stated in the film and is an obvious reference to death or “passing through” life. The Right-Hand Symbol is well-known to represent Man and also Death. In the beginning, old version of Anton’s character was given a baseball glove or a HAND. He walks into his abandoned house numbered ‘149’ ... a special number.
Young Anton plays Bobby in a period-piece from about 50 years ago. The first image we see of Bobby is his ONE-EYE reflection in a round mirror as he wakes from sleep. His mother (Hope Davis, Wayward Pines star) calls, “Wake up, Bobby.” Dreamtime of Hollywood’s ‘LalaLand’ could be symbolized or the actor’s career launched from this first big film: real world of being unknown, then changed to the unreal, dreamy limelight of stardom.
The boy looks out of a window and draws what appears as a number “11” in the glass’ mist; it was his eleventh birthday. The number is again written on a window when Bobby is much older. ELEVEN was used to imply Apollo 11 in Kubrick’s “The Shining” very often in his masterpiece, a film riddled with meaningful symbols. One cannot help but tie in mass-deception and Hollywood illusions at this point. Eleven could also represent the Gates or the two columns of ‘Boaz’ and ‘Jachin’ to Secret Societies. Or the “11” is only a coincidence in the odd film.
We hear the soul song “Ain’t That A Shame” in the background. We meet the Anthony Hopkins (a legend and star of the film “Magic”) character, Ted Brautigan. He is a mysterious man from the North or a “place not as nice as this.” Hopkins or Ted develops a quick and strong relationship with the boy. He says he barely sees; hires Bobby to read the newspaper to him. Yet Ted is extremely psychic to the point of KNOWING EVERYTHING. He seems to see everything. He knows the darkest secrets of the school bully; backs him down and becomes a hero to Bobby and his girlfriend. Brautigan also knows Bobby’s mother was raped at a ‘convention’ and that she cares more about herself than her son.
Ted tells the boy to read books. ‘A Tale of Two Cities’ ends in a neat thing like a “beheading.” And ‘Lost Horizon’ takes you to “unknown places of magic.” Is Hopkins an angel, a devil, Death, an alien or something else? His character reminded me of the Twilight Zone of the shape-shifting King and the little girl where his ‘people’ were coming to get him, because…
Ted tells Bobby to be on the lookout for the “Low Men,” thugs, bullies who wear dark clothes and dark hats in dark cars. They were coming for him. They move in packs and leave “long shadows.” They’d post signs on telephone poles of “lost pets and dogs.” The “ruthless” Low Men sounded like Men in Black. Or were they good forces and spiritual Men in White?
They could also be the Powers That Be or New World Order Romans that operate at the top levels like a Spider and control and corrupt the major corporations? They were coming after all us slaves of the Industry. Hopkins warns Yelchin: They’ll be coming after you, too.
Ted reveals that he has something, something ‘they’ want very much.
The old man lies to the boy that he was at the same football game as his dead father. His father died when Bobby was 5. Five (hand) is used repeatedly, even in the film’s covers and posters. Ted basically replaces the deceased father and also sees powers in the boy…such as, Bobby was able to beat a hawker/swindler at an amusement park with mind powers. Did Ted awaken latent powers in the boy? Ted also saw abilities in Bobby’s “special” girlfriend, played by Mika Boorem. Was this the Industry that recruits young children?
Ted said that, “Time was an old, bald cheater.” Was this a reference to a blood pact or signing your soul to the Devil? He knows Bobby wants a red and black Schwinn bike. When the kid looks at it through a window, there is a blue pyramid sticker with two lightning bolts coming down (means something evil).
Another slow, old, soul song is heard: “Only you…can make this world seem right. Only you…can make the Darkness bright.” Something else entirely seems to be going on hidden under the surface of the film, downright obvious to Insider Elites. But to us outsiders, it’s only a mystical work of art we are left to wonder about~
“Do you know what’s going on around you?” Ted asks. Sounds like CODE, do you know what the film Business really is, Bobby? Do you know the Industry will ask you to “pay the piper” when your time comes? Like the Godfather does you a big favor…then, they’ll come a time, after your success, you’ll be asked to, you know, do what we say. “You’re my man, kiddo.”
The boy replies, “I won’t let the Boogie Man get you.” They laugh. References to death are unmistakable. Is the Boogie Man the Business itself?
The old man also goes into a ‘fit’ or a trance, says strange words, then SNAPS out of it and bewilders the boy. He tells Bobby to never touch him if it happens again. What real life ritual did that mean or did it? What was that?
The film has wonderful, touching moments like when Ted tells the happy children: “When you’re young, you think you’re living in someplace magical. Like what Atlantis must have been…” They don’t hear him say, “Then we grow up and our hearts break in two.” Was he and producers talking about a real Atlantis and not a mythical one? ‘Paradise Lost’ or a true ‘Lost Horizon’ Eldorado?
Bobby (Anton) suddenly sees the posters for Lost Dogs on telephone poles and realizes the Low Men are near and will soon take Ted. The child even phones the Low Men or the ‘feds’ or aliens or whomever. They tell the distraught boy, “Don’t get involved.”
Sure enough, men in dark clothes and dark hats who drive long, dark cars, take Ted away in the backseat of one of the cars. Hopkins yells to the boy in an alley, “I wouldn’t have missed a minute of it, Bobby! Not a single minute! Not for the whole world…” Was he actually talking about the Satanic Entertainment Industry to the newcomer? That the fame and fortune and power you wield as a celebrity is worth the absolute hell you have to pay to become a celebrity?
A bright neon PAWN Shop sign is seen in the dark alley. Are we all pawns? Was Anton? Another neon sign in the alley is an upside-down pyramid that says: ROCKET. The reference and repeated “11s” could link to the secret of Kubrick’s Apollo 11 and worldwide deceptions?
Near the end, the older Bobby says another small, cryptic statement about Atlantis…
“Ted got it right. It isn’t all Atlantis.”
He recalls the great gift Ted gave him, now and back then. Bobby beat up the school bully with his own bat. I guess the lesson (from the Devil) was revenge, not Turn the Other Cheek, get violent and bash the brains out of bullies?
Bobby never heard from Ted again and also lost touch with his girlfriend. When he returns home, many years later, she had died. But he oddly meets her daughter, Molly. She understands this was her mother’s ‘first kiss.’ He gives her a photo he carried of her mother. She had butterfly wings. Insiders know this represents MK-Ultra mind-control, even seen on today’s new stars, clothes, album covers and PR photos.
“She had the heart of a lion,” he tells her of her mother. Old, grey Bobby waves goodbye, a glove hand (again).
In flashbacks, Bobby narrates and says, “That summer was the last summer of my childhood. Ted gave me an enduring gift; he made me open my eyes and let the future in. I wouldn’t have missed a minute of it. Not for anything in the world.”
What did the film mean on deeper levels? Masonic symbols and ideas and clues to an utterly magical world of transcendence were seen everywhere. Disney would be very proud.
Ted’s last message to the boy in the alley as he was whisked away by the Cosmic Police or whatever…was the HAND…Five fingers pressed upon the back window of the car. It’s a sign to Bobby or to young actor, Anton Yelchin. Insiders know it is a Death-Sign. Look at the cover of Sgt. Peppers and see that a HAND is raised over the head of Paul McCartney (means something).
The film ends with Bobby getting what he wants: his Schwinn bike. He rides into the distance on a lone, country road with a lot of woods on either side. Symbolic of the future?
I viewed the H.I.A. film to see if there were signs of Anton marked for death or termination by what Randy Quaid called the ‘Hollywood Hit Squad?’ Were there signs, hints and clues? I’d have to say: yes.
Was this where the future New Chekov launched his career from, and even Mika Boorem? Let’s watch her career and hope a dark fate does not await her. Are celebrities fully aware of their choices and repercussions of their decisions, and make the dark choices anyway? These are unspeakable and the most depraved actions as willing ‘slaves.’ They take golden opportunities, make ‘Sacrifices’ or murders and perform Blood Oath rituals that ‘normal’ people would never choose to do. But for fame, power, big money…
…People would today. This is the Film, TV, Music and Sports Business and that isn’t everything that is corrupt. They are not what we have been taught to believe by generations of master magicians. Was H.I.A. more than a movie or a premonition? Maybe it was a pattern or a Contract in Blood? “We’ll make you a star, you’ll burn bright, kid. Then that’s it.”
Anton Yelchin also played the lead in “Charlie Bartlett.” “Awkward teenager Charlie Bartlett has trouble fitting in at a new high school. Charlie needs some friends fast, and decides that the best way to find them is to appoint himself the resident psychiatrist. He becomes one of the most popular guys in school by doling out advice.”
Charlie is the coolest thing in school, a chick-magnet in sunglasses, very similar to some of the highly popular roles Tom Cruise had played early on. This was Anton’s “Risky Business” and “Top Gun” as the young actor is tracked for success.
In 2002, Yelchin played a child in the TV Mini-Series, produced by Steven Spielberg: “Taken.” In 2003, Anton appeared in an episode of “Without a Trace.” We can trace a common theme of Lost Children or “missing children” (possibly behind the Industry). Or are ‘they’ simply marking, through Entertainment, who they have under their control and have made rich slaves?
In 2004, he played Jack in the TV movie “Jack” and was also in “House of D.”
His films, probably not his choice [never their choice] but FORCED (?) upon him, suddenly took a very dark turn ‘in the road.’ Now, Yelchin and his legacy of personal film work would be known for their violence and strangeness. Here is the 2005 movie blurb for “Fierce People.”
“Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people. His hopes are dashed when he gets caught scoring drugs for her, and she decides to start their lives over by moving them in with her massage client, billionaire Ogden (Donald Sutherland). At first, Finn indulges in the luxury around him and falls for Ogden's granddaughter (Kristen Stewart), but he soon finds that the rich can be more savage than any group in the wild.” One more time, is this the dark/evil Business symbolized by the Sutherland character? Once more the actor or character indulges himself in the “luxury” of the Upper Class (like Kubrick) only to be sadly disappointed in the truth behind it all.
In 2006, more Dark Trends in Anton Yelchin films were demonstrated in “Alpha Dog,” a deeply disturbing portrayal of murder, loosely based on a real case. Why do such a violent and perverted film as “Alpha Dog”? Any way connected to Melissa McCarthy’s “The Boss”? The masonic principle is the same: You bring someone into the Secret Gang on a low level, you sponsor them and they work up the Levels of Success. You are a rich and powerful Slave and you make other, smaller slaves underneath you in the ‘pyramid’ Order. A ‘casting couch’ or gang initiation or awful hazing of forced violence and homosexual acts among young ‘toughs’ show who’s in charge and who will do the bidding of their ‘Master.’ This is what happens in Hollywood, TV, etc. that is not mentioned out in the open, publically. But they’ll put the truth right in front of you on film and call it Drama. Sick jokes.
In the acclaimed film, “Alpha Dog,” when the youths are taking the clueless boy (Anton) to his death, Anton says: “My parents are going to kill me when I get back.” Another disassociation with parents and everything moral are right.
One more time, was Anton’s entire career, as brilliant as it was, doomed from the very beginning? Were there signs of his murder purposely placed in his films? Was the coming of his death known to him…years before it happened?
His films told us and speak to us. But are they really speaking in double-meanings and secret codes from those dark and ‘Low Men’ thugs who run the entire, staged Show?
In 2014. Anton starred in a film called “Rudderless,” which sounds a lot like his 2015 film: “The Driftless Area.” Here is the blurb to one more mystical and dreamy film that might not be just a work of cinematic art…
“When a man returns to his hometown after his parents die, he becomes involved in a dangerous situation with a woman and a violent criminal.”
Anton, or the character Pierre, thumbs a ride on a country road from a criminal he doesn’t know is a criminal. Pierre carries a symbolic rosebush. They soon fight in the cabin of the truck. The criminal takes the roses and drives off. Pierre throws a rock; knocks him out and the truck crashes off the road. He finds a lot of money in a bag from the bad man and takes it. We know the predictable story as the criminals come back for the money.
A song comes on the radio that is sure to have relevance on many levels: “…But a man can’t face himself. Too much guilt to hide. I wish I could be free…this never-ending life. But the risk of losing face makes the price much too high. So I’ll go on…living the Big Lie. The Big Lie…” (The Industry?)
Pierre falls into a deep well with water at the bottom. He is trapped overnight, seemingly about to die. Does the well symbolize the “bite of the apple” or “Killing Games” or “Contract” signed and sealed in blood?
He is saved by ‘Stella,’ played by ‘New Girl,’ Zooey Deschanel. [Her sister was given the TV show ‘Bones’]. Is the actress ahead of the actor in Hollywood’s Pecking Order? Stella was in a fire and lost her memory, she tells Frank Langella (who played Count Dracula). She is a very odd character. She begins a weird relationship with Pierre and receives help from the old man.
She saved Pierre’s life and he says he now owes her. Did the actress actually save the actor’s life in the real world and now Anton truly owes (as in slave and Master) Zooey? Could we outsiders be seeing theatrical plays that mimic real events?
Is this behind-the-scenes CODE? Stanley Kubrick confessed to have witnessed a murder by the ‘Elites’ of the world. Are we viewing similar symbols in “The Driftless Area”?
The point was to see if Yelchin’s characters over a 15-year film career have more than normal Death overtones? The answer is, by far: yes. Anton is never the villain; he is always the good guy; he is invariably the victim. His characters seem on the road to Death. Was he?
Stella is strange because she is a ghost. She was never real and died in the fire.
Understand, at the end, as expected, Anton or Pierre is killed in the woods near a cabin and it makes little sense. It’s not supposed to make sense to us who only see an arty, little film. He apparently ascends into the Light, guided by the (pagan) angel of the woods or whatever Stella is. Did about EVERY film of the new Chekov have to deal with Yelchin’s demise?
In 2015, the highly proclaimed, “great movie” called “Green Room” starred Anton Yelchin and Sir Patrick Stewart! The movie was a terrible story of a punk band doing a crazy gig at a punk club owned by Patrick Stewart. What the hell is Sir Patrick Stewart, known for theatrical Shakespeare long before his role as Starship Captain Jean Luc Picard, doing in this filth of a film with a budget of only 5 million dollars? Who told him to “Make it so”? Stewart also played an evil CIA bad guy with Mel Gibson in a film called “Conspiracy Theory.” Who controls and makes slaves of the super-rich and famous minions and why do we honor those shining ‘stars’ that we should not honor?
Is STAR TREK or Star Wars…symbols with dual meanings? Do they also represent the Road to Stardom that all major actors must deal with and navigate through if they want the bright fortunes at the End of the Rainbow?
In the story, the band witnesses a violent murder. They were not going to shut up about it. Picard and his boys were not going to take that chance with Chekov and his gang. They were slated for Termination. To the question: Were Death Signs in Yelchin’s movies? The answer is YES, again.
Consider who Kyle Reese was in the ‘Terminator’ series of movies. He was the guy from the future, sent by Resistance Leader, John Conner…back into the past, to save the life of John’s mother because the Machines have gone back in time and scheduled her for ‘termination.’ The mind-twist in James Cameron’s story is: Kyle Reese turns out to be John’s father who impregnates Sarah Conner in the past. Everything in the T. movies depended on ‘Kyle.’
As far as I know, in writing this, I’m the only outsider who’s realized both ‘Kyle Reeses’ worked in this film together and also realized the significance of the title: TERMINATOR. Examine the found photo which I thought was a good representation of “Green Room.” Then I looked at it again, knowing nothing of actor Jonathan Jackson and thought: Hey, that guy looks like the other guy in the photo I found of 3 Kyle Reeses. IT WAS the same guy! Huh? Is this supposed to be COINCIDENCE? Not for one minute, do I believe that. All these major actors, performers are in the business of deception and lying to us in one form or another. This is a connection, behind-the-scenes, intricate planning so Insiders know and we do not.
I believe the actors who played KR, as well as top actors in general, are under the Gun or Thumb or Boot of Big Brother and are paid very well by the Devil. What is the GREEN ROOM? What significance does the title have with the film itself? None. We are left with, possibly, what Insiders are aware of and we outsiders are not aware of? Green Rooms are waiting rooms before you act or perform or interviewed over Media. They could also represent one’s hopeful career to be ‘in wait.’ Will your career be rich, profitable and “rain” with success and “gravy”? Is the title a Symbol of the Film Industry? Does the seedy, dirty, punk, violent movie itself represent the sick, nightmare world of those who pull the strings of Black Magic in Hollywood?
I wondered, should I write this? I argued a bit in emails and phone calls with a few others. Finally the feeling brewed in me, bubbled to the surface and had to come out upon digital paper. I had no idea that so many pieces would fall into place that any viewer with EYES WIDE OPEN could see the writing on the wall [literally in the case of ‘Green Room’] and maybe the signs in films were there that: Anton was murdered or fulfilled a Blood Pact? I would bet Insiders know the truth and we are lied to about it.
In the movies, Sarah Conner was scheduled for termination. In real life, could Anton Yelchin have been also scheduled for termination, which began 15 years ago? I went through Anton’s films, watched many on ffilms.com or 123movies.com for free and completely forgot the new Chekov played Kyle Reese in “Terminator Salvation” with Christian Bale. How’d I miss that? That’s where I recognized him also. I did not see or understand that fact until I came across the following YouTube:
https://youtu.be/Ub2Fjnkd5XM
I don’t agree with everything the narrator said. But it was interesting that to him, he had just viewed “Terminator Salvation.” The next day, he discovered the ‘accidental’ death of the actor and had a small chuckle. It was as if the 2015 Jeep or MACHINE killed Kyle Reese. I found his comment fascinating that it was like the car “aimed” at Anton and smashed directly into him, hard.
Please. Before disbelief, study what is possible and the direct evidence that: Certain, expensive, new high-performance vehicles can be operated remotely like a DRONE! Shia LaBeouf (who wants out of the Business, claims no longer to be a ‘celebrity’) reported his car accelerating, turning and braking on its own. Are ‘stars’ threatened by the ‘death-traps’ they are given? Is this what happened to “Fast and Furious” star, Paul Walker? The irony of a car used as a murder weapon that, again, Insiders realize and outsiders do not?
Yes, there was a major RECALL on these Jeeps and other very expensive vehicles. To many: Case Closed! Or, it’s too convenient? Media is lying again and everything from news events to politics to TV commercials to movies are only fake charades, not to be believed?
I choose to believe the answers are extremely complex and rarely ever simple. They are hard to see or understand. I think there are enough clues and coincidences to be suspicious that devious things truly happen beneath the two-dimensional, innocent, fake surface of film celluloid.
PS: I did not find evidence of anything peculiar with Anton’s best known character Chekov in the Star Trek blockbusters outside of their titles: “Into Darkness” and “Beyond.” At the very end of ‘Beyond,’ Kirk drinks a victorious toast to his crew after some had fallen in battle and says, “To absent friends…” The very next scene cuts to a crowd scene with Pavel Chekov dead center. But the scene only lasts a second and could absolutely be pure coincidence. Look deeper into all that’s been presented and study on your own.
Question what Authorities tell us over multimedia. It is most likely, they are lying~
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by TS Caladan
Insiders and those outsiders who understand the inner workings of huge Industries do not accept TMZ’s and first reports on the sad death of one more celebrity who joined the ‘27 Club.’ Actor Anton Yelchin can be added to the long list of mysterious deaths that include Brian Jones, Jim Morrison, Hendrix, Joplin, Cobain, Winehouse and other notables at 27. Maybe we should question what magazines, television news and various Media outlets continuously beat into our psyche?
[911 might not have been a “terrorist” attack. Hurricane Katrina might not have been a “natural” disaster. Certain bombings and murders, shown on the news, may not have been the “hate crimes” or “accidents” or “suicides” or “Isis attacks” that we are told over and over again. Also untimely deaths of well-known celebrities such as Seymour Hoffman, Robin Williams, Paul Walker, etc. should be questioned rather than blindly believing what the Media (Authorities) Networks report to the public].
Maybe they’re LYING? Possibly, those who control things…have very good reasons to LIE. The following information were official reports:
“Yelchin did not suffer much before his tragic death this past weekend...according to the death certificate obtained by TMZ. The document restates Anton's death was caused by blunt traumatic asphyxia. It goes on to say his death was "rapid" after impact...a source connected with the investigation told us the actor died within a minute of impact, when his jeep pinned him against a security gate. The death certificate also states there were no other significant conditions contributing to his death.”
Anton Yelchin Died Within a Minute of Freak Accident, Coroner Says
June 21, 2016 @ 4:19 PM By Evan Real
“…the Star Trek Beyond actor died at age 27 when he was fatally pinned by his car after it rolled down the steep driveway of his L.A. home. He was found pressed in-between his brick mailbox and security fence early Sunday morning.”
“Yelchin was on his way to meet friends for a rehearsal, but his pals grew worried after he didn’t show up. They drove to his house, where they discovered his body. His vehicle, a 2015 Jeep Grand Cherokee was part of a massive recall. According to CBS News, 1.1 million of 2014 and 2015 Jeep Grand Cherokees were recalled because the new electronic gearshift, or e-shift, made it difficult to put the car into park, drive or reverse.”
“Police have ruled out foul play.”
View YouTubes on the subject of ‘Illuminati Killed Anton Yelchin’ as there are sure to be many more in time. The Trekkers have done their best to honor the ‘fallen’ actor with an array of tributes. The new Chekov is dead. Outside of his role of Pavel Chekov and his first big role as a child in “Hearts in Atlantis” and “Charlie Bartlett,” Yelchin was known for extremely violent and even disturbing films such as “Alpha Dog” and “Green Room.”
WHY IS 27 AN IMPORTANT NUMBER TO OCCULTISTS?
In mathematics, 27 represents the perfect cube. The Cube is sacred to Saturnists or the secret Satanists. There are 27 letters in the Kabballah, 27 channels to God and 27 names for God. There are 27 chapters in the Bible’s New Testament. Rituals run the world. Outsiders are unaware and do not view behind dark curtains on the highest levels of Church and State.
It is a fact that recording artist Prince and the wrestler/actress Chyna happened to die on the Spring Solstice, 2016. On the day Prince died, the Queen of England was in Washington D.C. and announced that Prince William will become King next and not Prince Charles. At the beginning of Europe’s Summer Solstice, we have one more celebrity possibly terminated as part of a secret ‘sacrifice to Baal’ or whatever the RITUAL…but is really a murder of a young man?
Russian-born, Jewish actor could also have been of special interest to Hollywood moguls because of a first name similarity to founder of the Church of Satan and writer of its Bible, Anton LeVey. [Korob-character in Star Trek episode, “Catspaw,” symbolized LeVey].
Were there clues of Anton’s Yelchin’s (premeditated, planned, signed-off?) death purposely placed throughout his films? If not, then these clues or hints are nothing more than pure coincidences. See how many coincidences there are, then decide. For outsiders, realize what Insiders know: Movies are trash and propaganda to sway you; there is no Art. Then…to a few particular FILMS, there are whole other levels that only Insiders know and can fully appreciate. They use cryptic words and images that are CODE for the secret Club (basically Devil-worshippers, as behind other institutions/organizations/groups that are Occult or hidden). There are TWO TRUTHS: One, for the simple-minded who only view what’s around them on the surface level. The other truth is a far deeper one that goes beyond the physical ‘story’ the general public sees, but delves into things behind the Curtain of Hollywood Magic, Tales from the Dark Side, things not talked about by the few, powerful elites in-the-know and their minion slaves.
Before we analyze some of Anton’s filmography for clues such as, “Was the young actor marked for death?” and “Did his masters, producers/directors and filmmakers, put SIGNS of their future intentions within his films?” BTW: That’s what they do; act as secret fascists then laugh at our stupidity for not understanding the clues/symbols/actions and that this is how the world actually operates below the surface…on lies and total deceptions to the masses.
It would help if we STOPPED BELIEVING WHAT WE ARE TOLD or what the Media adamantly insists upon. Possibly, ‘Thou Insists Too Much.” Maybe they’re lying?
Let’s examine “Hearts in Atlantis,” Anton’s first starring role in 2001, released 17 days after 911. He had small parts in earlier films such as “Along Came a Spider” with Morgan Freeman, which oddly had H.I.A. new prospect, Mika Boorem (later to star in Disney’s “Tomorrowland.”
The quote on the promotional poster for H.I.A. was never stated in the film and is an obvious reference to death or “passing through” life. The Right-Hand Symbol is well-known to represent Man and also Death. In the beginning, old version of Anton’s character was given a baseball glove or a HAND. He walks into his abandoned house numbered ‘149’ ... a special number.
Young Anton plays Bobby in a period-piece from about 50 years ago. The first image we see of Bobby is his ONE-EYE reflection in a round mirror as he wakes from sleep. His mother (Hope Davis, Wayward Pines star) calls, “Wake up, Bobby.” Dreamtime of Hollywood’s ‘LalaLand’ could be symbolized or the actor’s career launched from this first big film: real world of being unknown, then changed to the unreal, dreamy limelight of stardom.
The boy looks out of a window and draws what appears as a number “11” in the glass’ mist; it was his eleventh birthday. The number is again written on a window when Bobby is much older. ELEVEN was used to imply Apollo 11 in Kubrick’s “The Shining” very often in his masterpiece, a film riddled with meaningful symbols. One cannot help but tie in mass-deception and Hollywood illusions at this point. Eleven could also represent the Gates or the two columns of ‘Boaz’ and ‘Jachin’ to Secret Societies. Or the “11” is only a coincidence in the odd film.
We hear the soul song “Ain’t That A Shame” in the background. We meet the Anthony Hopkins (a legend and star of the film “Magic”) character, Ted Brautigan. He is a mysterious man from the North or a “place not as nice as this.” Hopkins or Ted develops a quick and strong relationship with the boy. He says he barely sees; hires Bobby to read the newspaper to him. Yet Ted is extremely psychic to the point of KNOWING EVERYTHING. He seems to see everything. He knows the darkest secrets of the school bully; backs him down and becomes a hero to Bobby and his girlfriend. Brautigan also knows Bobby’s mother was raped at a ‘convention’ and that she cares more about herself than her son.
Ted tells the boy to read books. ‘A Tale of Two Cities’ ends in a neat thing like a “beheading.” And ‘Lost Horizon’ takes you to “unknown places of magic.” Is Hopkins an angel, a devil, Death, an alien or something else? His character reminded me of the Twilight Zone of the shape-shifting King and the little girl where his ‘people’ were coming to get him, because…
Ted tells Bobby to be on the lookout for the “Low Men,” thugs, bullies who wear dark clothes and dark hats in dark cars. They were coming for him. They move in packs and leave “long shadows.” They’d post signs on telephone poles of “lost pets and dogs.” The “ruthless” Low Men sounded like Men in Black. Or were they good forces and spiritual Men in White?
They could also be the Powers That Be or New World Order Romans that operate at the top levels like a Spider and control and corrupt the major corporations? They were coming after all us slaves of the Industry. Hopkins warns Yelchin: They’ll be coming after you, too.
Ted reveals that he has something, something ‘they’ want very much.
The old man lies to the boy that he was at the same football game as his dead father. His father died when Bobby was 5. Five (hand) is used repeatedly, even in the film’s covers and posters. Ted basically replaces the deceased father and also sees powers in the boy…such as, Bobby was able to beat a hawker/swindler at an amusement park with mind powers. Did Ted awaken latent powers in the boy? Ted also saw abilities in Bobby’s “special” girlfriend, played by Mika Boorem. Was this the Industry that recruits young children?
Ted said that, “Time was an old, bald cheater.” Was this a reference to a blood pact or signing your soul to the Devil? He knows Bobby wants a red and black Schwinn bike. When the kid looks at it through a window, there is a blue pyramid sticker with two lightning bolts coming down (means something evil).
Another slow, old, soul song is heard: “Only you…can make this world seem right. Only you…can make the Darkness bright.” Something else entirely seems to be going on hidden under the surface of the film, downright obvious to Insider Elites. But to us outsiders, it’s only a mystical work of art we are left to wonder about~
“Do you know what’s going on around you?” Ted asks. Sounds like CODE, do you know what the film Business really is, Bobby? Do you know the Industry will ask you to “pay the piper” when your time comes? Like the Godfather does you a big favor…then, they’ll come a time, after your success, you’ll be asked to, you know, do what we say. “You’re my man, kiddo.”
The boy replies, “I won’t let the Boogie Man get you.” They laugh. References to death are unmistakable. Is the Boogie Man the Business itself?
The old man also goes into a ‘fit’ or a trance, says strange words, then SNAPS out of it and bewilders the boy. He tells Bobby to never touch him if it happens again. What real life ritual did that mean or did it? What was that?
The film has wonderful, touching moments like when Ted tells the happy children: “When you’re young, you think you’re living in someplace magical. Like what Atlantis must have been…” They don’t hear him say, “Then we grow up and our hearts break in two.” Was he and producers talking about a real Atlantis and not a mythical one? ‘Paradise Lost’ or a true ‘Lost Horizon’ Eldorado?
Bobby (Anton) suddenly sees the posters for Lost Dogs on telephone poles and realizes the Low Men are near and will soon take Ted. The child even phones the Low Men or the ‘feds’ or aliens or whomever. They tell the distraught boy, “Don’t get involved.”
Sure enough, men in dark clothes and dark hats who drive long, dark cars, take Ted away in the backseat of one of the cars. Hopkins yells to the boy in an alley, “I wouldn’t have missed a minute of it, Bobby! Not a single minute! Not for the whole world…” Was he actually talking about the Satanic Entertainment Industry to the newcomer? That the fame and fortune and power you wield as a celebrity is worth the absolute hell you have to pay to become a celebrity?
A bright neon PAWN Shop sign is seen in the dark alley. Are we all pawns? Was Anton? Another neon sign in the alley is an upside-down pyramid that says: ROCKET. The reference and repeated “11s” could link to the secret of Kubrick’s Apollo 11 and worldwide deceptions?
Near the end, the older Bobby says another small, cryptic statement about Atlantis…
“Ted got it right. It isn’t all Atlantis.”
He recalls the great gift Ted gave him, now and back then. Bobby beat up the school bully with his own bat. I guess the lesson (from the Devil) was revenge, not Turn the Other Cheek, get violent and bash the brains out of bullies?
Bobby never heard from Ted again and also lost touch with his girlfriend. When he returns home, many years later, she had died. But he oddly meets her daughter, Molly. She understands this was her mother’s ‘first kiss.’ He gives her a photo he carried of her mother. She had butterfly wings. Insiders know this represents MK-Ultra mind-control, even seen on today’s new stars, clothes, album covers and PR photos.
“She had the heart of a lion,” he tells her of her mother. Old, grey Bobby waves goodbye, a glove hand (again).
In flashbacks, Bobby narrates and says, “That summer was the last summer of my childhood. Ted gave me an enduring gift; he made me open my eyes and let the future in. I wouldn’t have missed a minute of it. Not for anything in the world.”
What did the film mean on deeper levels? Masonic symbols and ideas and clues to an utterly magical world of transcendence were seen everywhere. Disney would be very proud.
Ted’s last message to the boy in the alley as he was whisked away by the Cosmic Police or whatever…was the HAND…Five fingers pressed upon the back window of the car. It’s a sign to Bobby or to young actor, Anton Yelchin. Insiders know it is a Death-Sign. Look at the cover of Sgt. Peppers and see that a HAND is raised over the head of Paul McCartney (means something).
The film ends with Bobby getting what he wants: his Schwinn bike. He rides into the distance on a lone, country road with a lot of woods on either side. Symbolic of the future?
I viewed the H.I.A. film to see if there were signs of Anton marked for death or termination by what Randy Quaid called the ‘Hollywood Hit Squad?’ Were there signs, hints and clues? I’d have to say: yes.
Was this where the future New Chekov launched his career from, and even Mika Boorem? Let’s watch her career and hope a dark fate does not await her. Are celebrities fully aware of their choices and repercussions of their decisions, and make the dark choices anyway? These are unspeakable and the most depraved actions as willing ‘slaves.’ They take golden opportunities, make ‘Sacrifices’ or murders and perform Blood Oath rituals that ‘normal’ people would never choose to do. But for fame, power, big money…
…People would today. This is the Film, TV, Music and Sports Business and that isn’t everything that is corrupt. They are not what we have been taught to believe by generations of master magicians. Was H.I.A. more than a movie or a premonition? Maybe it was a pattern or a Contract in Blood? “We’ll make you a star, you’ll burn bright, kid. Then that’s it.”
Anton Yelchin also played the lead in “Charlie Bartlett.” “Awkward teenager Charlie Bartlett has trouble fitting in at a new high school. Charlie needs some friends fast, and decides that the best way to find them is to appoint himself the resident psychiatrist. He becomes one of the most popular guys in school by doling out advice.”
Charlie is the coolest thing in school, a chick-magnet in sunglasses, very similar to some of the highly popular roles Tom Cruise had played early on. This was Anton’s “Risky Business” and “Top Gun” as the young actor is tracked for success.
In 2002, Yelchin played a child in the TV Mini-Series, produced by Steven Spielberg: “Taken.” In 2003, Anton appeared in an episode of “Without a Trace.” We can trace a common theme of Lost Children or “missing children” (possibly behind the Industry). Or are ‘they’ simply marking, through Entertainment, who they have under their control and have made rich slaves?
In 2004, he played Jack in the TV movie “Jack” and was also in “House of D.”
His films, probably not his choice [never their choice] but FORCED (?) upon him, suddenly took a very dark turn ‘in the road.’ Now, Yelchin and his legacy of personal film work would be known for their violence and strangeness. Here is the 2005 movie blurb for “Fierce People.”
“Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people. His hopes are dashed when he gets caught scoring drugs for her, and she decides to start their lives over by moving them in with her massage client, billionaire Ogden (Donald Sutherland). At first, Finn indulges in the luxury around him and falls for Ogden's granddaughter (Kristen Stewart), but he soon finds that the rich can be more savage than any group in the wild.” One more time, is this the dark/evil Business symbolized by the Sutherland character? Once more the actor or character indulges himself in the “luxury” of the Upper Class (like Kubrick) only to be sadly disappointed in the truth behind it all.
In 2006, more Dark Trends in Anton Yelchin films were demonstrated in “Alpha Dog,” a deeply disturbing portrayal of murder, loosely based on a real case. Why do such a violent and perverted film as “Alpha Dog”? Any way connected to Melissa McCarthy’s “The Boss”? The masonic principle is the same: You bring someone into the Secret Gang on a low level, you sponsor them and they work up the Levels of Success. You are a rich and powerful Slave and you make other, smaller slaves underneath you in the ‘pyramid’ Order. A ‘casting couch’ or gang initiation or awful hazing of forced violence and homosexual acts among young ‘toughs’ show who’s in charge and who will do the bidding of their ‘Master.’ This is what happens in Hollywood, TV, etc. that is not mentioned out in the open, publically. But they’ll put the truth right in front of you on film and call it Drama. Sick jokes.
In the acclaimed film, “Alpha Dog,” when the youths are taking the clueless boy (Anton) to his death, Anton says: “My parents are going to kill me when I get back.” Another disassociation with parents and everything moral are right.
One more time, was Anton’s entire career, as brilliant as it was, doomed from the very beginning? Were there signs of his murder purposely placed in his films? Was the coming of his death known to him…years before it happened?
His films told us and speak to us. But are they really speaking in double-meanings and secret codes from those dark and ‘Low Men’ thugs who run the entire, staged Show?
In 2014. Anton starred in a film called “Rudderless,” which sounds a lot like his 2015 film: “The Driftless Area.” Here is the blurb to one more mystical and dreamy film that might not be just a work of cinematic art…
“When a man returns to his hometown after his parents die, he becomes involved in a dangerous situation with a woman and a violent criminal.”
Anton, or the character Pierre, thumbs a ride on a country road from a criminal he doesn’t know is a criminal. Pierre carries a symbolic rosebush. They soon fight in the cabin of the truck. The criminal takes the roses and drives off. Pierre throws a rock; knocks him out and the truck crashes off the road. He finds a lot of money in a bag from the bad man and takes it. We know the predictable story as the criminals come back for the money.
A song comes on the radio that is sure to have relevance on many levels: “…But a man can’t face himself. Too much guilt to hide. I wish I could be free…this never-ending life. But the risk of losing face makes the price much too high. So I’ll go on…living the Big Lie. The Big Lie…” (The Industry?)
Pierre falls into a deep well with water at the bottom. He is trapped overnight, seemingly about to die. Does the well symbolize the “bite of the apple” or “Killing Games” or “Contract” signed and sealed in blood?
He is saved by ‘Stella,’ played by ‘New Girl,’ Zooey Deschanel. [Her sister was given the TV show ‘Bones’]. Is the actress ahead of the actor in Hollywood’s Pecking Order? Stella was in a fire and lost her memory, she tells Frank Langella (who played Count Dracula). She is a very odd character. She begins a weird relationship with Pierre and receives help from the old man.
She saved Pierre’s life and he says he now owes her. Did the actress actually save the actor’s life in the real world and now Anton truly owes (as in slave and Master) Zooey? Could we outsiders be seeing theatrical plays that mimic real events?
Is this behind-the-scenes CODE? Stanley Kubrick confessed to have witnessed a murder by the ‘Elites’ of the world. Are we viewing similar symbols in “The Driftless Area”?
The point was to see if Yelchin’s characters over a 15-year film career have more than normal Death overtones? The answer is, by far: yes. Anton is never the villain; he is always the good guy; he is invariably the victim. His characters seem on the road to Death. Was he?
Stella is strange because she is a ghost. She was never real and died in the fire.
Understand, at the end, as expected, Anton or Pierre is killed in the woods near a cabin and it makes little sense. It’s not supposed to make sense to us who only see an arty, little film. He apparently ascends into the Light, guided by the (pagan) angel of the woods or whatever Stella is. Did about EVERY film of the new Chekov have to deal with Yelchin’s demise?
In 2015, the highly proclaimed, “great movie” called “Green Room” starred Anton Yelchin and Sir Patrick Stewart! The movie was a terrible story of a punk band doing a crazy gig at a punk club owned by Patrick Stewart. What the hell is Sir Patrick Stewart, known for theatrical Shakespeare long before his role as Starship Captain Jean Luc Picard, doing in this filth of a film with a budget of only 5 million dollars? Who told him to “Make it so”? Stewart also played an evil CIA bad guy with Mel Gibson in a film called “Conspiracy Theory.” Who controls and makes slaves of the super-rich and famous minions and why do we honor those shining ‘stars’ that we should not honor?
Is STAR TREK or Star Wars…symbols with dual meanings? Do they also represent the Road to Stardom that all major actors must deal with and navigate through if they want the bright fortunes at the End of the Rainbow?
In the story, the band witnesses a violent murder. They were not going to shut up about it. Picard and his boys were not going to take that chance with Chekov and his gang. They were slated for Termination. To the question: Were Death Signs in Yelchin’s movies? The answer is YES, again.
Consider who Kyle Reese was in the ‘Terminator’ series of movies. He was the guy from the future, sent by Resistance Leader, John Conner…back into the past, to save the life of John’s mother because the Machines have gone back in time and scheduled her for ‘termination.’ The mind-twist in James Cameron’s story is: Kyle Reese turns out to be John’s father who impregnates Sarah Conner in the past. Everything in the T. movies depended on ‘Kyle.’
As far as I know, in writing this, I’m the only outsider who’s realized both ‘Kyle Reeses’ worked in this film together and also realized the significance of the title: TERMINATOR. Examine the found photo which I thought was a good representation of “Green Room.” Then I looked at it again, knowing nothing of actor Jonathan Jackson and thought: Hey, that guy looks like the other guy in the photo I found of 3 Kyle Reeses. IT WAS the same guy! Huh? Is this supposed to be COINCIDENCE? Not for one minute, do I believe that. All these major actors, performers are in the business of deception and lying to us in one form or another. This is a connection, behind-the-scenes, intricate planning so Insiders know and we do not.
I believe the actors who played KR, as well as top actors in general, are under the Gun or Thumb or Boot of Big Brother and are paid very well by the Devil. What is the GREEN ROOM? What significance does the title have with the film itself? None. We are left with, possibly, what Insiders are aware of and we outsiders are not aware of? Green Rooms are waiting rooms before you act or perform or interviewed over Media. They could also represent one’s hopeful career to be ‘in wait.’ Will your career be rich, profitable and “rain” with success and “gravy”? Is the title a Symbol of the Film Industry? Does the seedy, dirty, punk, violent movie itself represent the sick, nightmare world of those who pull the strings of Black Magic in Hollywood?
I wondered, should I write this? I argued a bit in emails and phone calls with a few others. Finally the feeling brewed in me, bubbled to the surface and had to come out upon digital paper. I had no idea that so many pieces would fall into place that any viewer with EYES WIDE OPEN could see the writing on the wall [literally in the case of ‘Green Room’] and maybe the signs in films were there that: Anton was murdered or fulfilled a Blood Pact? I would bet Insiders know the truth and we are lied to about it.
In the movies, Sarah Conner was scheduled for termination. In real life, could Anton Yelchin have been also scheduled for termination, which began 15 years ago? I went through Anton’s films, watched many on ffilms.com or 123movies.com for free and completely forgot the new Chekov played Kyle Reese in “Terminator Salvation” with Christian Bale. How’d I miss that? That’s where I recognized him also. I did not see or understand that fact until I came across the following YouTube:
https://youtu.be/Ub2Fjnkd5XM
I don’t agree with everything the narrator said. But it was interesting that to him, he had just viewed “Terminator Salvation.” The next day, he discovered the ‘accidental’ death of the actor and had a small chuckle. It was as if the 2015 Jeep or MACHINE killed Kyle Reese. I found his comment fascinating that it was like the car “aimed” at Anton and smashed directly into him, hard.
Please. Before disbelief, study what is possible and the direct evidence that: Certain, expensive, new high-performance vehicles can be operated remotely like a DRONE! Shia LaBeouf (who wants out of the Business, claims no longer to be a ‘celebrity’) reported his car accelerating, turning and braking on its own. Are ‘stars’ threatened by the ‘death-traps’ they are given? Is this what happened to “Fast and Furious” star, Paul Walker? The irony of a car used as a murder weapon that, again, Insiders realize and outsiders do not?
Yes, there was a major RECALL on these Jeeps and other very expensive vehicles. To many: Case Closed! Or, it’s too convenient? Media is lying again and everything from news events to politics to TV commercials to movies are only fake charades, not to be believed?
I choose to believe the answers are extremely complex and rarely ever simple. They are hard to see or understand. I think there are enough clues and coincidences to be suspicious that devious things truly happen beneath the two-dimensional, innocent, fake surface of film celluloid.
PS: I did not find evidence of anything peculiar with Anton’s best known character Chekov in the Star Trek blockbusters outside of their titles: “Into Darkness” and “Beyond.” At the very end of ‘Beyond,’ Kirk drinks a victorious toast to his crew after some had fallen in battle and says, “To absent friends…” The very next scene cuts to a crowd scene with Pavel Chekov dead center. But the scene only lasts a second and could absolutely be pure coincidence. Look deeper into all that’s been presented and study on your own.
Question what Authorities tell us over multimedia. It is most likely, they are lying~
How to order novels by TS Caladan
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